What is time? How does it work? Why is it immutably unidirectional (moving from the past and towards the future)? And most importantly, why does time exist at all? These are among the preeminent metaphysical questions to date for scientists and laypeople alike. Using the principles of entropy and universe expansion since the Big Bang, cosmologist Sean Carroll (recently profiled in the New York Times) hypothesizes about the arrow of time in a brilliant new book From Eternity to Here: The Quest for the Ultimate Theory of Time. In addition to reviewing the book, ScriptPhD.com’s in-house physics and astronomy guru, Stephen Compson, had an extraordinary opportunity to sit down with Dr. Carroll in his physics lab at Caltech University. In a stunningly in-depth, rich interview, they explored everything from the creation of our universe, to entropy, the time-space continuum, how physics and film intersect, and why the principles in Dr. Carroll’s book are important and topical for the general public to grasp. It’s rare to see this wide-ranging of a discussion on popular physics from such an authoritative researcher, so sit back, enjoy and click “continue reading” for more. Continue reading ‘From Eternity to Here’ with Physicist Sean Carroll→
Society’s unequivocal fascination with science and scientists, reflected by a growing presence as staples of film, television, and popular culture, has only been magnified by the enigmatic (and seemingly impenetrable) aura in which they are enveloped. Their studies decidedly abstruse, their coded language unintelligible, their habits quirky and eccentric, the world of the scientist has been an audiovisual shroud of mystery—until now. In perhaps the most authentic, unfiltered, extemporaneous portrayal of scientists in their environment ever recorded, new documentary Naturally Obsessed: The Making of a Scientist welcomes the lay audience into the laboratory as silent observers. No reservations, no restrictions, no preconceptions. The result is an emotionally stunning masterpiece that connects us to scientists as people, reaches out across professional divides, and places PhD students, the backbone of the modern scientific laboratory, under the microscope for the first time. ScriptPhD.com recently screened the movie with a group of UCLA PhD biology students. Under the “continue reading” cut is our review, along with an honest roundtable discussion that included reaction to the movie, its parallel to their lives, and the training of modern scientists. Continue reading ScriptPhD Roundtable: Naturally Obsessed—The Making of a Scientist→
The Hubble Space Telescope is the worlds first observatory that actually orbitsyou guessed itthrough outer space. Over the last decade, Hubble has captured some of the deepest and most detailed images of our universe. All those recent headlines about exoplanets: those discoveries come from Hubble. Scientists viewing pictures of light projected from stars over 13 billion years ago (almost at the origin of the universe): thats Hubble, too. Hubble 3D documents the 2009 mission by the crew of the Shuttle Atlantis to make vital repairs to one of mankinds most expensive, and significant, science projects. There would be no second chances. If the mission had failed, Hubble would be just another piece of junk orbiting above the earth, like my Direct TV satellite and Elviss body. The tension is real, the suspense extraordinary, and the imagery? Out of this world. And fortunately for terrestrial audiences, the entire mission was captured by the crew and director Toni Myers on some of the most breathtaking, brave film ever recorded. We are proud to make Hubble 3D an official ScriptPhD.com Editors Selection. Continue reading REVIEW: Hubble IMAX—Editor’s Selection→
Esteemed drive-in movie critic Joe Bob Briggs has a single three-word critique of a certain kind of genre picture: too much plot. Thats a little easy and dismissive, but it does speak to an underlying truth: the best horror and suspense movies have to be easy to follow, or youre in trouble. This particular genre is all about being In The Moment, especially if The Moment is designed to scare the heck out of the audience. Forcing them to pause and say, Hey, wait a minute: whys he doing that? Whos that guy again? Why is he doing that? rips the viewer out of that Moment. A better formula is to keep it simple. Or even better: keep it relentless. Out in theaters today is the well-made, competent, if flawed, bio-horror thriller The Crazies. Ironically enough, while The Crazies has some not-so-crazy plot and technical problems, the biology and science of this movie (with some minor exceptions) are the most enjoyable part. ScriptPhD.com full review and discussion under the “continue reading” cut. Continue reading REVIEW: The Crazies→
One of the most pressing issues of our time is how and where we are going to get sustainable energy for a global population with a rapidly rising standard of living and the consumption that this entails. Approximately 10% of United States coal production [coal in general accounts for 40% of global electricity production] is procured through mountaintop removal, an environmentally-devastating extraction that literally involves blasting off (or removing) the top of a mountain to extract the coal inside. The practice gained popularity in the 1960s, when it started becoming too difficult and too costly to extract coal from underground mines. In our continuing “It’s Not Easy Being Green” series, ScriptPhD.com’s eco-blogger Captain Planet talks about the documentary Mountaintop Removal, exactly what it entails, and why this process is so much more costly than the immediate energy gained from it. Please click “continue reading” for more. Continue reading It’s Not Easy Being Green: Mountaintop Removal→
This was a remarkable week for autism science and publicity. In a stunning and rare reversal, medical journal The Lancetretracted the 1998 paper responsible for suggesting a link between autism and MMR vaccinations, incurring over a decade of acrimonious debate and frightened parents. Ironic then that this should be the week when HBO premieres their new feature film Temple Grandin, about the eponymous world-famous scientist. Dr. Grandin has written and spoken openly about her struggle with autism and how it’s colored her view of the world and influenced the science she studies. ScriptPhD.com is extraordinarily honored to extend a warm welcome to friend and fellow blogger Susan Etlinger, author of the autism spectrum blog The Family Room, to review the biopic and interview the project’s executive producer. For full content, please click “continue reading.” Continue reading Guest Article: HBO’s ‘Temple Grandin’ Biopic Honors Autistic Scientist→
During a recent trip to New York City, I had the pleasure of befriending exciting new author Ernesto Robles, whose debut novel The Malthusian Catastrophe is a ScriptPhD.com recommended pick. Smart, topical, fast-paced and decidedly engrossing, this biomedical thriller drives at the roots of our cultural obsession with the fountain of youth and the perilous socioeconomic repercussions of actually finding and disseminating it. In a year when the Nobel Prize for Medicine and Physiology went to a team of researchers for their discovery of how chromosomes are protected by telomeres and the enzyme telomerase, essential biological components of the human aging machinery, and a cultural era that has anointed juvenescence as sacrosanct, Malthusians overarching themes are especially germane. ScriptPhD.coms discussion includes a review of the book, the biology and ethics of current aging research, and a one-on-one interview with Mr. Robles. For full content, please click continue reading.
There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.
Charles Darwin’s postscript to perhaps the greatest work of biology ever recorded, The Origin of Species, ignited an acrimonious debate about science, religion, the mutual exclusivity thereof, and where we come from. 150 years later, as we celebrate the anniversary of Darwin’s monumental scientific achievement, it is a debate that has yet to abate. Regardless
of what stance one takes on evolution and natural selection, fascination with the life and times of this inimitable figure is undeniable. A new biopic, Creation, delves into the dichotomy of Darwin the naturalist and family man, the disapproval he faced from a devotedly Christian wife, and the inner anguish he faced in whether to publish his findings. ScriptPhD.com’s Stephen Compson was recently treated to a private screening of the film and had the extraordinary opportunity to sit down with Darwin’s great-great-grandson Randal Keynes, whose Charles Darwin biography the movie was based on. For our exclusive content, please click “continue reading.”
A Father’s Love and a Scientist’s Dedication in a Race against Time
Imagine this scenario: you are a young married professional, a rising star in a well-respected pharmaceutical company. You have three children, two of which suffer from a rare, inherited genetic disease for which there is no cure. They will die in about a year or two. What do you do? Inspired by the book The Cure: How a Father Raised $100 Million – and Bucked the Medical Establishment – In a Quest to Save His Children by Pulitzer Prize-winning journalist Geeta Anand, Extraordinary Measures is a drama about the real-life story of John Crowley (Brendan Fraser) and Dr. Robert Stonehill (Harrison Ford) as they work feverishly to find a cure for the disease afflicting Crowley’s children. The dramatic caveat is that said cure is based solely on a scientific theory. CBS Films’ motion picture debut touches on a myriad of salient modern-day issues, including personal morality, risk taking, scientific funding, pharmaceutical business practices, the dedication to science, professional relationships, and a man’s love for his family. For the full ScriptPhD.com review, please click “continue reading”.
Picture this: a mysterious Man with No Name comes into a tiny desert town that’s dominated by a manipulative and powerful bossman. He has something the bossman wants and won’t give it up – and No Name is an almost supernaturally powerful fighter; you really don’t want to mess with him. Before the battle between Good and Evil is over, the Man with No Name has decimated the bossman’s thug-army and brought the evil leader low, the dusty little settlement is either burned to the ground or better off than before he arrived, and off he goes, continuing his mysterious journey – always in motion, never at peace. Except for a tie-‘em-up ending that’s tacked on to the back of The Book of Eli, that’s pretty much what you’ve got here: a post-apocalyptic tale of the mysterious hero vs. the bully prince, just like an old Sergio Leone/Clint Eastwood spaghetti western. Just replace Eastwood with Denzel Washington, replace the Old West with the near future after a global catastrophe, cast a painfully over-the-top Gary Oldman as the Bad Boss, give newcomer Mila Kunis the inevitable pretty girl/spunky sidekick role, and you’re golden. Or at least should have been. Unfortunately for the viewing audience, there’s more Sergio Leone than Cormac McCarthy in this ponderous and unconvincing post-apocalyptic allegory. For a full review, please click “continue reading”.