During a recent trip to New York City, I had the pleasure of befriending exciting new author Ernesto Robles, whose debut novel The Malthusian Catastrophe is a ScriptPhD.com recommended pick. Smart, topical, fast-paced and decidedly engrossing, this biomedical thriller drives at the roots of our cultural obsession with the fountain of youth and the perilous socioeconomic repercussions of actually finding and disseminating it. In a year when the Nobel Prize for Medicine and Physiology went to a team of researchers for their discovery of how chromosomes are protected by telomeres and the enzyme telomerase, essential biological components of the human aging machinery, and a cultural era that has anointed juvenescence as sacrosanct, Malthusians overarching themes are especially germane. ScriptPhD.coms discussion includes a review of the book, the biology and ethics of current aging research, and a one-on-one interview with Mr. Robles. For full content, please click continue reading.
There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.
Charles Darwin’s postscript to perhaps the greatest work of biology ever recorded, The Origin of Species, ignited an acrimonious debate about science, religion, the mutual exclusivity thereof, and where we come from. 150 years later, as we celebrate the anniversary of Darwin’s monumental scientific achievement, it is a debate that has yet to abate. Regardless
of what stance one takes on evolution and natural selection, fascination with the life and times of this inimitable figure is undeniable. A new biopic, Creation, delves into the dichotomy of Darwin the naturalist and family man, the disapproval he faced from a devotedly Christian wife, and the inner anguish he faced in whether to publish his findings. ScriptPhD.com’s Stephen Compson was recently treated to a private screening of the film and had the extraordinary opportunity to sit down with Darwin’s great-great-grandson Randal Keynes, whose Charles Darwin biography the movie was based on. For our exclusive content, please click “continue reading.”
A Father’s Love and a Scientist’s Dedication in a Race against Time
Imagine this scenario: you are a young married professional, a rising star in a well-respected pharmaceutical company. You have three children, two of which suffer from a rare, inherited genetic disease for which there is no cure. They will die in about a year or two. What do you do? Inspired by the book The Cure: How a Father Raised $100 Million – and Bucked the Medical Establishment – In a Quest to Save His Children by Pulitzer Prize-winning journalist Geeta Anand, Extraordinary Measures is a drama about the real-life story of John Crowley (Brendan Fraser) and Dr. Robert Stonehill (Harrison Ford) as they work feverishly to find a cure for the disease afflicting Crowley’s children. The dramatic caveat is that said cure is based solely on a scientific theory. CBS Films’ motion picture debut touches on a myriad of salient modern-day issues, including personal morality, risk taking, scientific funding, pharmaceutical business practices, the dedication to science, professional relationships, and a man’s love for his family. For the full ScriptPhD.com review, please click “continue reading”.
No one has been more excited about the premiere of Battlestar Galactica prequel Caprica than ScriptPhd.com. We eagerly joined the cast and crew of both shows last May during their joint panel at the Los Angeles Paley television festival. We were also one of the first sites to review the Caprica 2 hour pilot. And now, at long last, one of the most anticipated sci-fi prequels ever will premiere on the SyFy Channel this Friday. ScriptPhD.com’s Bryy Miller reviews the first three episodes and talks about the show’s early conceptualization and long-term promise. We are also extraordinarily fortunate and proud to bring you an Editor’s interview with series executive producer and show runner Jane Espenson, in which she talks about what we can expect from Caprica. Please click “continue reading” for full content.
ScriptPhD.com was delighted to join Discovery Channel in celebrating 25 years of science, specials, animals, crazy experiments, and educating the public viewing audience last week in Pasadena, CA. There, we met up with the likes of the MythBusters, Animal Planet, The Science Channel and more to get scoop for our fans and be a proud part of the best pure science television programming on air today. To help Discovery Channel celebrate, ScriptPhD.com is announcing a giveaway and fan contest that you don’t want to miss, especially if you’re a MythBusters fan! For more photographs, party coverage and details on our contest, please click “continue reading”.
Continue reading ScriptPhD + Discovery Channel Giveaway: Join the MythBusters at Comic-Con!
Picture this: a mysterious Man with No Name comes into a tiny desert town that’s dominated by a manipulative and powerful bossman. He has something the bossman wants and won’t give it up – and No Name is an almost supernaturally powerful fighter; you really don’t want to mess with him. Before the battle between Good and Evil is over, the Man with No Name has decimated the bossman’s thug-army and brought the evil leader low, the dusty little settlement is either burned to the ground or better off than before he arrived, and off he goes, continuing his mysterious journey – always in motion, never at peace. Except for a tie-‘em-up ending that’s tacked on to the back of The Book of Eli, that’s pretty much what you’ve got here: a post-apocalyptic tale of the mysterious hero vs. the bully prince, just like an old Sergio Leone/Clint Eastwood spaghetti western. Just replace Eastwood with Denzel Washington, replace the Old West with the near future after a global catastrophe, cast a painfully over-the-top Gary Oldman as the Bad Boss, give newcomer Mila Kunis the inevitable pretty girl/spunky sidekick role, and you’re golden. Or at least should have been. Unfortunately for the viewing audience, there’s more Sergio Leone than Cormac McCarthy in this ponderous and unconvincing post-apocalyptic allegory. For a full review, please click “continue reading”.
It goes without saying that pretty much every work of fiction begins with the “what if” question. “What if I knew the world was ending tomorrow?” “What if my wife was secretly plotting to kill me?” “What if this article wins me the Pulitzer?” What separates the great (or simply enjoyable) work from that which cannot be accepted is a second level of consideration: actually thinking about the “what if” and seeing if it has any real value, any weight, beyond that first fleeting thrill that comes with the High Concept. FlashForward, the ABC TV series or the 1999 novel by Robert J. Sawyer upon which it is loosely, loosely based, is a perfect example of exactly that: the cool but ultimately unsatisfying idea that really can’t stand the stress of storytelling. Because hiding behind the spotty acting and cliché characters—on screen or in print—the whole concept has a serious problem: it just doesn’t make a lick of sense. Under the “continue reading” jump, an analysis of the logic and science flaws of FlashForward.
Continue reading Why I Hate FlashForward: A Dissenter's Opinion
One of my favorite movies as a kid, and now, as a professional scientist, is Andromeda Strain. The heroes are mostly older, professorial types who work feverishly to understand an alien organism and save the planet. After being asked to review ReAction! Chemistry in the Movies for ScriptPhD.com, I was so curious to consume (with relish) the book’s guesswork about the chemistry found in Andromeda Strain. After returning to the beginning of the book and giving it a read, I was thrilled to find that ReAction! is a detailed, thoughtful exploration of the representation of chemistry in film. The book addresses, first and foremost, the fact that chemistry can play a lead role in film. The authors also discuss the dichotomy between the dark and bright sides of chemistry (and science) as illustrated by films in which chemistry or chemists play a central role. Also included are several playful explorations of the real science behind some famous examples of fictional chemistry in film. After the break is a full review of the book along with an in-depth interview with authors Mark Griep and Majorie Mikasen on the process of working together as chemist and artist, portrayal of chemists in film and how film can change public perception in science.