In 2011, a cognitive supercomputing system developed at IBM named “Watson” was pitted against, and subsequently defeated, two of the most successful Jeopardy! game-show contestants of all time. A project five years in the making, Watson was initially developed as a “Grand Challenge” successor to Deep Blue, the machine that beat Gary Kasparov at chess, and was a prototype for DeepQA, a question/answer natural language analysis architecture. Since his Jeopardy! triumph, however, Watson has been successfully applied towards improving health care, oncology, business applications and soon enough… even education. At the same time that IBM has been expanding Watson’s cognitive computing abilities, they’ve also been brilliantly marketing him to the general public through a series of traditional and interactive ads.
Ray Bradbury, one of the most influential and prolific science fiction writers of all time, has had a lasting impact on a broad array of entertainment culture. In his canon of books, Bradbury often emphasized exploring human psychology to create tension in his stories, which left the more fantastical elements lurking just below the surface. Many of his works have been adapted for movies, comic books, television, and the stage, and the themes he explores continue to resonate with audiences today. The notable 1966 classic film Fahrenheit 451 perfectly captured the definition of a futuristic dystopia, for example, while the eponymous television series he penned, The Ray Bradbury Theatre, is an anthology of science fiction stories and teleplays whose themes greatly represented Bradbury’s signature style. ScriptPhD.com was privileged to cover one of Ray Bradbury’s last appearances at San Diego Comic-Con, just prior to his death, where he discussed everything from his disdain for the Internet to his prescient premonitions of many technological advances to his steadfast support for the necessity of space exploration. In the special guest post below, we explore how the latest Bradbury adapataion, the new television show The Whispers, continues his enduring legacy of psychological and sci-fi suspense. Continue reading Guest Post: Ray Bradbury Still Alive Through “The Whispers”→
From a sci-fi and entertainment perspective, 2015 may undoubtedly be nicknamed “The Year of The Robot.” Several cinematic releases have already explored various angles of futuristic artificial intelligence (from the forgettable Chappie to the mainstream blockbuster Marvel’s Avengers: Age of Ultron to the intelligent sleeper indie hit Ex Machina), with several more on the way later this year. Two television series premiering this summer, limited series Humans on AMC and Mr. Robot on USA add thoughtful, layered (and very entertaining) discussions on the ethics and socio-economic impact of the technology affecting the age we live in. While Humans revolves around hyper-evolved robot companions, and Mr. Robot a singular shadowy eponymous cyberhacking organization, both represent enthusiastic Editor’s Selection recommendations from ScriptPhD. Reviews and an exclusive interview with Humans creators/writers Jonathan Brackley and Sam Vincent below. Continue reading Editor’s Selection: Robots Invade Summer Television→
Every so often, a seminal film comes out that ends up being the hallmark of its genre. 2001: A Space Odyssey redefined space and technology in science fiction. Star Wars proved sci-fi could provide blockbuster material, while Blade Runner remains the standard-bearer for post-apocalyptic dystopia. A slate of recent films have broached varying scenarios involving artificial intelligence – from talking robots to sentient computers to re-engineered human capacity. But Ex Machina, the latest film from Alex Garland (writer of the pandemic horror film 28 Days Later and the astro-thriller Sunshine) is the cream of the crop. A stylish, stripped-down, cerebral film, Ex Machina weaves through the psychological implications of an experimental AI robot named Ava possessing preternatural emotional intelligence and free will. It’s a Hitchcockian sci-fi thriller for the geek chic gadget-bearing age, a vulnerable expository inquiry into the isolated meaning of “sentience” (something we will surely contend with in our time) and an honest reproach of technology’s boundless capabilities that somehow manages to celebrate them at the same time.
ScriptPhD.com’s enthusiastic review of this visionary new sci-fi film includes an exclusive Q&A with writer and director Alex Garland from a recent Los Angeles screening.
For every friendly robot we see in science fiction such as Star Wars‘s C3PO, there are others with a more sinister reputation that you can find in films such as I, Robot. Indeed, most movie robots can be classified into a range of archetypes and purposes. Science boffins at Cambridge University have taken the unusual step of evaluating the exact risks of humanity suffering from a Terminator-style meltdown at the Cambridge Project for Existential Risk.
“Robots On the Run” is currently an unlikely scenario, so don’t stockpile rations and weapons in panic just yet. But with machine intelligence continually evolving, developing and even crossing thresholds of creativity and and language, what holds now might not in the future. Robotic technology is making huge advances in great part thanks to the efforts of Japanese scientists and Robot Wars. For the time being, the term AI (artificial intelligence) might sound like a Hollywood invention (the term was translated by Steven Spielberg in a landmark film, after all), but the science behind it is real and proliferating in terms of capability and application. Robots can now “learn” things through circuitry similar to the way humans pick up information. Nevertheless, some scientists believe that there are limits to the level of intelligence that robots will be able to achieve in the future. In a special ScriptPhD review, we examine the current state of artificial intelligence, and the possibilities that the future holds for this technology. Continue reading Artificial Intelligence: The Risk of Robots on the Rampage→
Dr. Michio Kaku recently consolidated his position as America’s most visible physicist by acting as the voice of the science community to major news outlets in the wake of Japan’s major earthquake and the recent Fukushima nuclear crisis. Dr. Kaku is one of those rare and prized few
who possesses both the hard science chops (he built an atom smasher in his garage for a high school science fair and is a co-founder of string theory) and the ability to reduce quantum physics and space time to layman’s terms. The author of Physics of the Impossible has also followed up with a new book, Physics of the Future, that aims to convey how these very principles will change the future of science and its impact in our daily modern life. (Make sure to enter our Facebook fan giveaway to win a free copy this week!) Dr. Kaku graciously sat down with ScriptPhD.com’s physics and astronomy blogger, Stephen Compson, to talk about the recent earthquake, popular science in an entertainment-driven world, and his latest book. Full interview under the “continue reading” cut. Continue reading Interview: Michio Kaku and The Physics of the Future→
