Picture this: a mysterious Man with No Name comes into a tiny desert town that’s dominated by a manipulative and powerful bossman. He has something the bossman wants and won’t give it up – and No Name is an almost supernaturally powerful fighter; you really don’t want to mess with him. Before the battle between Good and Evil is over, the Man with No Name has decimated the bossman’s thug-army and brought the evil leader low, the dusty little settlement is either burned to the ground or better off than before he arrived, and off he goes, continuing his mysterious journey – always in motion, never at peace. Except for a tie-‘em-up ending that’s tacked on to the back of The Book of Eli, that’s pretty much what you’ve got here: a post-apocalyptic tale of the mysterious hero vs. the bully prince, just like an old Sergio Leone/Clint Eastwood spaghetti western. Just replace Eastwood with Denzel Washington, replace the Old West with the near future after a global catastrophe, cast a painfully over-the-top Gary Oldman as the Bad Boss, give newcomer Mila Kunis the inevitable pretty girl/spunky sidekick role, and you’re golden. Or at least should have been. Unfortunately for the viewing audience, there’s more Sergio Leone than Cormac McCarthy in this ponderous and unconvincing post-apocalyptic allegory. For a full review, please click “continue reading”.

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