“Don’t talk to anyone, don’t touch anyone.” The austere slogan of the new film Contagion mirrors the gripping subject matter of the latest addition to the pandemic disaster movie club. One of the most science-oriented films to be released in the last few years, Contagion follows the path of several scientists, public health workers, and ordinary citizens as a full-fledged pandemic breaks out from an unknown virus. It explores scientific, moral, social and ethical questions for how we would prepare as a modern society if such a tragedy ever struck us. Additionally, Contagion is a cinematic ode to the visual and technical wonders of modern science, on full display here, both in the storyline and the beatifully-designed sets and costumes. For a full ScriptPhD review, including information on the behind-the-scenes science consultants that worked with the film’s producers to create scientific realism, click “continue reading” below.
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REVIEW: The Last Mountain
About a year ago, a little publicized, unheralded documentary named Mountaintop Removal (which ScriptPhD.com reviewed) attempted to deconstruct the environmentally devastating practice of the same name literally destroying the Appalachian geography of West Virginia’s coal river valley. Honest, yet modestly shot and produced, the small-scale documentary needed a Hollywood touch to resonate on a human level to advance its powerful cause. It got what it needed in The Last Mountain, a celebrated selection of this year’s Sundance Film Festival. This important new documentary succeeds in both relaying the urgency of a destructive coal mining practice that is literally zoning in on one last undamaged mountain as well as forging a human connection with the townspeople battling to save it. Full ScriptPhD.com review under the “continue reading” cut.
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Top 10 Science and Technology Game Changers in Film
I was recently watching Wall Street: Money Never Sleeps, the sequel to the Oscar-winning 1987 financial cautionary tale. In the middle of a movie that had nothing to do with science, the lead character started explaining the financial investment potential of a national research facility loosely based on the ultra-exclusive National Ignition Facility in Livermore, CA (which ScriptPhD.com was fortunate to visit and profile recently). The film did such an impressive job of explaining the laser technology being used in real life to harness endless quantities of energy from a molecular fusion reaction that it could have easily been lifted from a physics textbook. Translating, explaining and visually presenting complex science on film is not an easy task. It got us to thinking about some of the greatest science and technology moments of all time in film.
In no particular order, with the help of our readers and fans, here are ScriptPhD.com’s choices for the Top 10 gamechangers of science and/or technology cinematic content that was either revolutionary for its time, was smartly conceived and cinematically executed, or has bared relevance to later research advances.
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Podcast: Designing California Science Center’s ‘Ecosystems’ Exhibit
In April of 2010, the California Science Center added a 45,000 square foot permanent exhibit called ‘Ecosystems,’ nearly doubling the size of the museum. Ten years in the making, at a cost of $165 million, ‘Ecosystems’ manages to impress visually and scholastically. ScriptPhD.com recently got a private tour and in-depth guide of the ambitious exhibit and didactic tool. Afterwards, we had the opportunity to sit down with the man that conceptualized ‘Ecosystems’ and curator of ecology at the California Science Center — Dr. Chuck Kopczak. An avid geologist, and devoted to the promulgation of quality science education, Dr. Chuck graciously sat down with us for an in-depth conversation about ‘Ecosystems,’ the future of science education, and energizing environmental causes through science. Our full tour and podcast, under the “continue reading” cut.
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Interview: Michio Kaku and The Physics of the Future
Dr. Michio Kaku recently consolidated his position as Americas most visible physicist by acting as the voice of the science community to major news outlets in the wake of Japans major earthquake and the recent Fukushima nuclear crisis. Dr. Kaku is one of those rare and prized few
who possesses both the hard science chops (he built an atom smasher in his garage for a high school science fair and is a co-founder of string theory) and the ability to reduce quantum physics and space time to laymans terms. The author of Physics of the Impossible has also followed up with a new book, Physics of the Future, that aims to convey how these very principles will change the future of science and its impact in our daily modern life. (Make sure to enter our Facebook fan giveaway to win a free copy this week!) Dr. Kaku graciously sat down with ScriptPhD.com’s physics and astronomy blogger, Stephen Compson, to talk about the recent earthquake, popular science in an entertainment-driven world, and his latest book. Full interview under the “continue reading” cut.
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From The Lab: Google World Science Fair and a New Generation of Idea-Makers
In his State of the Union speech in January, US President Barack Obama proclaimed that “we need to teach our kids that it’s not just the winner of the Super Bowl who deserves to be celebrated, but the winner of the science fair.” A noble (and correct) assessment, to be sure, but one mired in numerous educational and cultural obstacles. For one thing, science fairs themselves are at a perilous crossroads. A New York Times report issued in February stated that not only is participation in science fairs among high school kids falling, but that the kind of creativity and independent exploration that these competitions necessitate is impossible under current rigid test-driven educational guidelines for teaching mathematics and science. Indeed, an interesting recent Newsweek article on “The Creativity Crisis” conveyed research studies showing that for the first time, American creativity is declining. How appropriate, then, that this April (national math education month) brings the culmination of the Google World Science Fair, the first ever competition of its kind transpiring online and open to lab rats from all over the globe. ScriptPhD.com discusses why this could be a game-changer for the next generation of young scientists, under the “continue reading” cut.
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REVIEW: Limitless
How many times have you said to yourself, “If only I didn’t have to sleep.” Or “If only I tap into my brain’s full neuronal capacity, imagine the things I could do?” Such neurocognitive superpowers would seem to be the stuff of science fiction…for now. In the new film “Limitless,” these wishes unexpectedly come true for a struggling writer, but the results—and unexpected side effects—cause him to wonder whether it was all worth it. Sleek, stylish, sexy and well-crafted, “Limitless” is part scientific inquiry into the limits of expanding the pharmacopeia beyond current human capacities and part thriller to see if the main character who dares to try will get away with it. ScriptPhD.com’s full review of Limitless under the “continue reading” cut.
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REVIEW: Battle: Los Angeles
Imagine the end-of-the-world, fiery destruction of Armageddon and Deep Impact. Now ratchet up the action with the artillery of Saving Private Ryan and the greatest war movies you’ve ever seen. Add in a dash of sci-fi with highly evolved aliensa hybrid of the metalloid Cylons of Battlestar Galactica and a gooier version of the extra-terrestrial from Alien. Top it off with some of the best computer generated imagery (CGI) of any recent film, and you have Battle: Los Angeles, Sony’s much-anticipated spring blockbuster that first caught our attention this summer at San Diego Comic-Con. ScriptPhD.com was fortunate to get a sneak peek this week in Los Angeles. Click “continue reading” for our complete review of Battle: Los Angeles.
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REVIEW: ‘The Science of Battlestar Galactica’
Battlestar Galactica is one of the defining, genre-changing science fiction shows of its, or perhaps any, time. The remake of the 1970s cult classic was sexy, sophisticated, and set a new standard for the science fiction shows and movies that will follow in its path. In addition to exploring staple concepts such as life, survival, politics and war, BSG reawakened its audience to science and its role in moral, ethical, and daily impact in our lives, especially given the technologically-driven era that we live in. “Writers were not allowed to jettison science for the sake of the story,” declares co-executive producer Jane Espenson in her foreword to the book. “Other than in specific instances of intentionally inexplicable phenomena, science was respected.” In an artful afterword, Richard Hatch (the original Apollo and Tom Zarek in the new series) concurs. “BSG used science not as a veneer, but as a key thematic component for driving many of the character stories… which is the art of science fiction.” The sustained use of complex, correct science as a plot element to the degree that was done in Battlestar Galactica is also a hallmark first. This is the topic of the new book The Science of Battlestar Galactica, newly released from Wiley Books, and written by Kevin R. Grazier, the very science advisor who consulted with the BSG writing staff on all things science, with a contribution from Wired writer Patrick DiJusto. Now, for the first time, everyone from casual fans to astrophysicists can gain insight into the research used to construct major stories and technology of the show—and learn some very cool science along the way. Our review of The Science of Battlestar Galactica (and our 100th blog post!) under the “continue reading” cut.
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PODCAST: Science Careers in Entertainment
So ya wanna work in showbiz, eh kid, but all you’ve got is an astrophysics degree and the glint of stars in your eyes? Even five years ago, such a notion would have been unthinkable. Not only has sci-fi traditionally been regarded as a niche segment across all media markets, research into scientific accuracy and integrity, let alone in-house science advisors, were nonexistent. Today, with science content proliferating every year in mainstream film and television, and with sci-fi movies grossing better than ever at the box office (two of the biggest hits of the last six months were Inception and TRON: Legacy), careers for scientists in entertainment are more sought out than ever. ScriptPhD.com Editor/Creative Director Jovana J. Grbić and Jet Propulsion Laboratory scientist/renowned television science advisor Kevin Grazier recently spoke at an Emory University career panel geared towards aspiring science advisors and consultants. We kick-start 2011 with podcasts of both talks. We hope you find inspiration, ideas, and that this year is one of immense success for all of our readers, collaborators and clients.
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