Ray Bradbury, one of the most influential and prolific science fiction writers of all time, has had a lasting impact on a broad array of entertainment culture. In his canon of books, Bradbury often emphasized exploring human psychology to create tension in his stories, which left the more fantastical elements lurking just below the surface. Many of his works have been adapted for movies, comic books, television, and the stage, and the themes he explores continue to resonate with audiences today. The notable 1966 classic film Fahrenheit 451 perfectly captured the definition of a futuristic dystopia, for example, while the eponymous television series he penned, The Ray Bradbury Theatre, is an anthology of science fiction stories and teleplays whose themes greatly represented Bradbury’s signature style. ScriptPhD.com was privileged to cover one of Ray Bradbury’s last appearances at San Diego Comic-Con, just prior to his death, where he discussed everything from his disdain for the Internet to his prescient premonitions of many technological advances to his steadfast support for the necessity of space exploration. In the special guest post below, we explore how the latest Bradbury adapataion, the new television show The Whispers, continues his enduring legacy of psychological and sci-fi suspense. Continue reading Guest Post: Ray Bradbury Still Alive Through “The Whispers”→
This past weekend, over 130,000 people descended on the San Diego Convention Center to take part in Comic-Con 2012. Each year, a growing amalgamation of costumed super heroes, comics geeks, sci-fi enthusiasts and die-hard fans of more mainstream entertainment pop culture mix together to celebrate and share the popular arts. Some are there to observe, some to find future employment and others to do business, as beautifully depicted in this year’s Morgan Spurlock documentary Comic-Con Episode IV: A Fan’s Hope. But Comic-Con San Diego is more than just a convention or a pop culture phenomenon. It is a symbol of the big business that comics and transmedia pop culture has become. It is a harbinger of future profits in the entertainment industry, which often uses Comic-Con to gauge buzz about releases and spot emerging trends. And it is also a cautionary tale for anyone working at the intersection of television, film, video games and publishing about the meteoric rise of an industry and the uncertainty of where it goes next. We review Rob Salkowitz’s new book Comic-Con and the Business of Pop Culture, an engaging insider perspective on the convergence of geekdom and big business. Continue reading REVIEW: Comic-Con and the Business of Pop Culture→
Read through any archive of science fiction movies, and you quickly realize that the merger of pop culture and science dates as far back as the dawn of cinema in the early 1920s. Even more surprising than the enduring prevalence of science in film is that the relationship between film directors, scribes and the science advisors that have influenced their works is equally as rich and timeless. Lab Coats in Hollywood: Science, Scientists, and Cinema (2011, MIT Press), one of the most in-depth books on the intersection of science and Hollywood to date, serves as the backdrop for recounting the history of science and technology in film, how it influenced real-world research and the scientists that contributed their ideas to improve the cinematic realism of science and scientists. For a full ScriptPhD.com review and in-depth extended discussion of science advising in the film industry, please click the “continue reading” cut.
Battlestar Galactica is one of the defining, genre-changing science fiction shows of its, or perhaps any, time. The remake of the 1970s cult classic was sexy, sophisticated, and set a new standard for the science fiction shows and movies that will follow in its path. In addition to exploring staple concepts such as life, survival, politics and war, BSG reawakened its audience to science and its role in moral, ethical, and daily impact in our lives, especially given the technologically-driven era that we live in. “Writers were not allowed to jettison science for the sake of the story,” declares co-executive producer Jane Espenson in her foreword to the book. “Other than in specific instances of intentionally inexplicable phenomena, science was respected.” In an artful afterword, Richard Hatch (the original Apollo and Tom Zarek in the new series) concurs. “BSG used science not as a veneer, but as a key thematic component for driving many of the character stories… which is the art of science fiction.” The sustained use of complex, correct science as a plot element to the degree that was done in Battlestar Galactica is also a hallmark first. This is the topic of the new book The Science of Battlestar Galactica, newly released from Wiley Books, and written by Kevin R. Grazier, the very science advisor who consulted with the BSG writing staff on all things science, with a contribution from Wired writer Patrick DiJusto. Now, for the first time, everyone from casual fans to astrophysicists can gain insight into the research used to construct major stories and technology of the show—and learn some very cool science along the way. Our review of The Science of Battlestar Galactica (and our 100th blog post!) under the “continue reading” cut. Continue reading REVIEW: ‘The Science of Battlestar Galactica’→
One of the most captivating books of 2010 was not a gory science-fiction thriller or a gripping end-of-the world page-turner, though its subject matter is equally engrossing and out of the ordinary. It is about somewhat crazy people doing crazy things as seen through the lenses of the man that has been treating them for decades. The Naked Lady Who Stood On Her Head is the first psych ward memoir, a tale of a curious doctor/scientist and his most extreme, bizarre, and sometimes touching cases from the nation’s most prestigious neurology centers and universities. Included in ScriptPhD.com’s review is a podcast interview with Dr. Small, as well as the opportunity to win a free autographed copy of his book. Our end-of-the year science library pick is under the “continue reading” cut.
As Comic-Con winds down on the shortened Day 4, we conclude our coverage with two panels that exemplify what Comic-Con is all about. As promised, we dissect the “Comics Design” panel of the world’s top logo designers deconstructing their work, coupled with images of their work. We also bring you an interesting panel of ethnographers, consisting of undergraduate and graduate student, studying the culture and the varying forces that shape Comic-Con. Seriously, they’re studying nerds! Finally, we are delighted to shine our ScriptPhD.com spotlight on new sci-fi author Charles Yu, who presented his new novel at his first (of what we are sure are many) Comic-Con appearance. We sat down and chatted with Charles, and are pleased to publish the interview. And of course, our Day 4 Costume of the Day. Comic-Con 2010 (through the eyes of ScriptPhD.com) ends under the “continue reading” cut! Continue reading Comic-Con 2010: Day 4→
Dr. Mark Changizi, a cognitive science researcher, and professor at Rensselaer Polytechnic Institute, is one of the most exciting rising stars of science writing and the neurobiology of popular culture phenomena. His latest book, The Vision Revolution, expounds on the evolution and nuances of the human eye—a meticulously designed, highly precise technological marvel that allows us to have superhuman powers. You heard me right; superhuman! X-ray vision, color telepathy, spirit reading, and even seeing into the future. Dr. Changizi spoke about these ideas, and how they might be applied to everything from sports stars with great hand-eye coordination to modern reading and typeface design with us in ScriptPhD.com’s inaugural audio podcast. He also provides an exclusive teaser for his next book with a guest post on the surprising mindset that makes for creative people. Read Dr. Changizi’s guest post and listen to the podcast under the “continue reading” cut.
What is time? How does it work? Why is it immutably unidirectional (moving from the past and towards the future)? And most importantly, why does time exist at all? These are among the preeminent metaphysical questions to date for scientists and laypeople alike. Using the principles of entropy and universe expansion since the Big Bang, cosmologist Sean Carroll (recently profiled in the New York Times) hypothesizes about the arrow of time in a brilliant new book From Eternity to Here: The Quest for the Ultimate Theory of Time. In addition to reviewing the book, ScriptPhD.com’s in-house physics and astronomy guru, Stephen Compson, had an extraordinary opportunity to sit down with Dr. Carroll in his physics lab at Caltech University. In a stunningly in-depth, rich interview, they explored everything from the creation of our universe, to entropy, the time-space continuum, how physics and film intersect, and why the principles in Dr. Carroll’s book are important and topical for the general public to grasp. It’s rare to see this wide-ranging of a discussion on popular physics from such an authoritative researcher, so sit back, enjoy and click “continue reading” for more. Continue reading ‘From Eternity to Here’ with Physicist Sean Carroll→
He is one of the most popular and explosive (sometimes literally!) science columnists of our day. Since 2005, he has written the Popular Science blog Gray Matter. He has been willing to try virtually any chemistry experiment known to man, all in the interest of proving a theory and educating (and entertaining) a fortunate lay audience. He has created the most widely acclaimed periodic table ever, which has been replicated into posters, an actual table, playing cards, and now, a gorgeous full-color hardcover book. Who is this mad scientist I am referring to? Why, Theodore Gray, of course! For Day 3 of Science Week, ScriptPhD.com is thrilled to review his new book The Elements, an equal parts homage to chemistry and photography. Editor Jovana Grbić sat down with Theo in a candid, in-depth interview about his books, his favorite elements, and the responsibility science writers have to informing the public. More more content, please click “continue reading.” Continue reading PROFILE: Popular Science's Theo Gray→
During a recent trip to New York City, I had the pleasure of befriending exciting new author Ernesto Robles, whose debut novel The Malthusian Catastrophe is a ScriptPhD.com recommended pick. Smart, topical, fast-paced and decidedly engrossing, this biomedical thriller drives at the roots of our cultural obsession with the fountain of youth and the perilous socioeconomic repercussions of actually finding and disseminating it. In a year when the Nobel Prize for Medicine and Physiology went to a team of researchers for their discovery of how chromosomes are protected by telomeres and the enzyme telomerase, essential biological components of the human aging machinery, and a cultural era that has anointed juvenescence as sacrosanct, Malthusians overarching themes are especially germane. ScriptPhD.coms discussion includes a review of the book, the biology and ethics of current aging research, and a one-on-one interview with Mr. Robles. For full content, please click continue reading.