As part of an ongoing recommitment to its sci-fi genre roots, SyFy Channel is unveiling the original scripted drama Ascension, for now a six hour mini-series, and possible launch for a future series. It follows a crew aboard the starship Ascension, as part of a 1960s mission that sent 600 men, women and children on a 100 year planned voyage to populate a new world. In the midst of political unrest onboard the vessel, the approach of a critical juncture in the mission and the first-ever murder onboard the craft, the audience soon learns, there is more to the mission than meets the eye. Which can also be said of this multi-layered, ambitious, sophisticated mini-series. Full ScriptPhD review below.
For every friendly robot we see in science fiction such as Star Wars’s C3PO, there are others with a more sinister reputation that you can find in films such as I, Robot. Most movie robots can indeed be classified into a range of archetypes and purposes. Science boffins at Cambridge University have taken the unusual step of evaluating the exact risks of humanity suffering from a Terminator-style meltdown at the Cambridge Project for Existential Risk.
“Robots On the Run” is currently an unlikely scenario, so don’t stockpile rations and weapons in panic just yet. But with machine intelligence continually evolving, developing and even crossing thresholds of creativity and and language, what holds now might not in the future. Robotic technology is making huge advances in great part thanks to the efforts of Japanese scientists and Robot Wars. For the time being, the term AI (artificial intelligence) might sound like a Hollywood invention (the term was translated by Steven Spielberg in a landmark film, after all), but the science behind it is real and is not going to go away. Robots can now actually learn things akin to the way humans pick up information. Nevertheless, some scientists believe that there are limits to the level of intelligence that robots will be able to achieve in the future. In a special ScriptPhD guest post, we examine the current state of artificial intelligence, and the possibilities that the future holds for this technology. Continue reading Artificial Intelligence: The Risk of Robots on the Rampage→
“The wars of the 21st Century will be fought over water.” —Ismail Serageldin, World Bank
Watching the devastation and havoc caused by Hurricane Sandy and several recent water-related natural disasters, it’s hard to imagine that global water shortages represent an environmental crisis on par with climate change. But if current water usage habits do not abate, or if major technological advances to help recycle clean water are not implemented, this is precisely the scenario we are facing—a majority of 21st Century conflicts being fought over water. From the producers of socially-conscious films An Inconvenient Truth and Food, Inc., Last Call at the Oasis is a timely documentary that chronicles current challenges in worldwide water supply, outlines the variables that contribute to chronic shortages and interviews leading environmental scientists and activists about the ramifications of chemical contamination in drinking water. More than just an environmental polemic, Last Call is a stirring call to action for engineering and technology solutions to a decidedly solvable problem. A ScriptPhD.com review under the “continue reading” cut. Continue reading It’s Not Easy Being Green: Water, Our Next Endangered Resource (And Innovation Opportunity)→
In the year 2042, time travel has not yet been invented. But by the year 2072, that is no longer the case. Nevertheless, it is outlawed, inaccessible to all but the most powerful and violent gangs in an economically repressed dystopia. Due to scientific advances of that era, it is impossible to dispose of a body without a trace, so the criminal gangs use the time travel to execute their trash, sending the bodies back in time to be executed by hit men called Loopers. The body vanishes from the future, but never existed in the present. Unless something goes terribly awry. Such is the setup of Rian Johnsons bleak, brilliant sci-fi film Looper, a shrewd commentary on how we use technology, the value of a human life and whether a destiny can be changed. It is easily the best sci-fi film since 2010s Inception, and surely one of the best of this year in any genre. Full ScriptPhD review, below. Continue reading REVIEW: Looper→
This past weekend, over 130,000 people descended on the San Diego Convention Center to take part in Comic-Con 2012. Each year, a growing amalgamation of costumed super heroes, comics geeks, sci-fi enthusiasts and die-hard fans of more mainstream entertainment pop culture mix together to celebrate and share the popular arts. Some are there to observe, some to find future employment and others to do business, as beautifully depicted in this year’s Morgan Spurlock documentary Comic-Con Episode IV: A Fan’s Hope. But Comic-Con San Diego is more than just a convention or a pop culture phenomenon. It is a symbol of the big business that comics and transmedia pop culture has become. It is a harbinger of future profits in the entertainment industry, which often uses Comic-Con to gauge buzz about releases and spot emerging trends. And it is also a cautionary tale for anyone working at the intersection of television, film, video games and publishing about the meteoric rise of an industry and the uncertainty of where it goes next. We review Rob Salkowitz’s new book Comic-Con and the Business of Pop Culture, an engaging insider perspective on the convergence of geekdom and big business. Continue reading REVIEW: Comic-Con and the Business of Pop Culture→
It has been three decades since Ridley Scotts acclaimed sci-fi masterpiece Blade Runner practically reinvented the genre, and he has not made another sci-fi film since. The reason I havent made another sci-fi film in so may years, he says is because I havent come across anything worthwhile for me to do with enough truth, originality and strength. Prometheus has all three. With such heightened expectations, one would expect a bold, daring, all-encompassing storyline from Scott. Loosely based on elements from Alien, and originally intended as a prequel to that film, Prometheus meets many of those expectations, especially in visual and action content, while falling short on others. Full ScriptPhD review, under the “continue reading” cut. Continue reading REVIEW: Prometheus→
“It’s like a war. You don’t know whether you’re going to win the war. You don’t know if you’re going to survive the war. You don’t know if the project is going to survive the war.” The war? Cancer, still one of the leading causes of death despite 40 years passing since the National Cancer Act of 1971 catapulted Richard Nixon’s famous “War on Cancer.” The speaker of the above quote? A scientist at Genentech, a San Francisco-based biotechnology and pharmaceutical company, describing efforts to pursue a then-promising miracle treatment for breast cancer facing numerous obstacles, not the least of which was the patients’ rapid illness. If it sounds like a made-for-Hollywood story, it is. But I Want So Much To Live is no ordinary documentary. It was commissioned as an in-house documentary by Genentech, a rarity in the staid, secretive scientific corporate world. The production values and storytelling offer a tremendous template for Hollywood filmmakers, as science and biomedical content become even more pervasive in film. Finally, the inspirational story behind Herceptin, one of the most successful cancer treatments of all time, offers a testament and rare insight to the dedication and emotion that makes science work. Full story and review under the “continue reading” cut. Continue reading From The Lab: Pharmaceutical Documentary a Blueprint for Hollywood Science Storytelling→
Read through any archive of science fiction movies, and you quickly realize that the merger of pop culture and science dates as far back as the dawn of cinema in the early 1920s. Even more surprising than the enduring prevalence of science in film is that the relationship between film directors, scribes and the science advisors that have influenced their works is equally as rich and timeless. Lab Coats in Hollywood: Science, Scientists, and Cinema (2011, MIT Press), one of the most in-depth books on the intersection of science and Hollywood to date, serves as the backdrop for recounting the history of science and technology in film, how it influenced real-world research and the scientists that contributed their ideas to improve the cinematic realism of science and scientists. For a full ScriptPhD.com review and in-depth extended discussion of science advising in the film industry, please click the “continue reading” cut.
I was recently watching Wall Street: Money Never Sleeps, the sequel to the Oscar-winning 1987 financial cautionary tale. In the middle of a movie that had nothing to do with science, the lead character started explaining the financial investment potential of a national research facility loosely based on the ultra-exclusive National Ignition Facility in Livermore, CA (which ScriptPhD.com was fortunate to visit and profile recently). The film did such an impressive job of explaining the laser technology being used in real life to harness endless quantities of energy from a molecular fusion reaction that it could have easily been lifted from a physics textbook. Translating, explaining and visually presenting complex science on film is not an easy task. It got us to thinking about some of the greatest science and technology moments of all time in film.
In no particular order, with the help of our readers and fans, here are ScriptPhD.com’s choices for the Top 10 gamechangers of science and/or technology cinematic content that was either revolutionary for its time, was smartly conceived and cinematically executed, or has bared relevance to later research advances. Continue reading Top 10 Science and Technology Game Changers in Film→
In his State of the Union speech in January, US President Barack Obama proclaimed that “we need to teach our kids that it’s not just the winner of the Super Bowl who deserves to be celebrated, but the winner of the science fair.” A noble (and correct) assessment, to be sure, but one mired in numerous educational and cultural obstacles. For one thing, science fairs themselves are at a perilous crossroads. A New York Times report issued in February stated that not only is participation in science fairs among high school kids falling, but that the kind of creativity and independent exploration that these competitions necessitate is impossible under current rigid test-driven educational guidelines for teaching mathematics and science. Indeed, an interesting recent Newsweek article on “The Creativity Crisis” conveyed research studies showing that for the first time, American creativity is declining. How appropriate, then, that this April (national math education month) brings the culmination of the Google World Science Fair, the first ever competition of its kind transpiring online and open to lab rats from all over the globe. ScriptPhD.com discusses why this could be a game-changer for the next generation of young scientists, under the “continue reading” cut. Continue reading From The Lab: Google World Science Fair and a New Generation of Idea-Makers→