How many times have you said to yourself, “If only I didn’t have to sleep.” Or “If only I tap into my brain’s full neuronal capacity, imagine the things I could do?” Such neurocognitive superpowers would seem to be the stuff of science fiction…for now. In the new film “Limitless,” these wishes unexpectedly come true for a struggling writer, but the results—and unexpected side effects—cause him to wonder whether it was all worth it. Sleek, stylish, sexy and well-crafted, “Limitless” is part scientific inquiry into the limits of expanding the pharmacopeia beyond current human capacities and part thriller to see if the main character who dares to try will get away with it. ScriptPhD.com’s full review of Limitless under the “continue reading” cut. Continue reading REVIEW: Limitless→
Battlestar Galactica is one of the defining, genre-changing science fiction shows of its, or perhaps any, time. The remake of the 1970s cult classic was sexy, sophisticated, and set a new standard for the science fiction shows and movies that will follow in its path. In addition to exploring staple concepts such as life, survival, politics and war, BSG reawakened its audience to science and its role in moral, ethical, and daily impact in our lives, especially given the technologically-driven era that we live in. “Writers were not allowed to jettison science for the sake of the story,” declares co-executive producer Jane Espenson in her foreword to the book. “Other than in specific instances of intentionally inexplicable phenomena, science was respected.” In an artful afterword, Richard Hatch (the original Apollo and Tom Zarek in the new series) concurs. “BSG used science not as a veneer, but as a key thematic component for driving many of the character stories… which is the art of science fiction.” The sustained use of complex, correct science as a plot element to the degree that was done in Battlestar Galactica is also a hallmark first. This is the topic of the new book The Science of Battlestar Galactica, newly released from Wiley Books, and written by Kevin R. Grazier, the very science advisor who consulted with the BSG writing staff on all things science, with a contribution from Wired writer Patrick DiJusto. Now, for the first time, everyone from casual fans to astrophysicists can gain insight into the research used to construct major stories and technology of the show—and learn some very cool science along the way. Our review of The Science of Battlestar Galactica (and our 100th blog post!) under the “continue reading” cut. Continue reading REVIEW: ‘The Science of Battlestar Galactica’→
It has been 28 years since the release of the enormously groundbreaking science-fiction adventure Tron, the story of Kevin Flynn, a video game programmer that gets sucked into the virtual grid of the very game he created. As Flynn’s son, now cyber-reunited with his father, points out, decades of technology have bestowed us with cell phones, wi-fi, the internet, and even virtual dating. But one immutable fact stands the test of time—great sci-fi is great sci-fi. Without upstaging the original, TRON: Legacy manages a sleek, stylish, clever sequel utterly germane to the times we live in. ScriptPhD.com got treated to a preview screening in Hollywood this week. Our full review under the “continue reading” cut. Continue reading REVIEW: TRON: Legacy→
Fewer topics in contemporary science and technology policy have generated as much controversy or vociferous debate as global warming (more recently branded as climate change) and more importantly, how to mitigate its effects. Recent international treaties such as The Kyoto Protocol and conferences such as last December’s United Nations Climate Change Conference in Copenhagen have largely paid lip service towards actionable change and technology aimed at eradicating the precursors and causes of global warming. In the middle of this stalemate is an increasingly hostile rhetoric that has bifurcated into two divergent, unyielding camps—either you believe climate change and greenhouse emissions are a fraud, period, or you believe the problem is so imminently dire that surely, the end of the world is nigh. This dichotomy was no more apparent than during last year’s ”Climategate” controversy, in which hacked emails leaked from the University of East Anglia’s Climatic Research Unit in England were interpreted, depending on which report you read, as scientific fraud and tampering or reinforcement for climate science. Perhaps it is time, as the eponymous title of our latest Editor’s Choice suggests, for us all to Cool It. An environmental film about 21st Century problems, and the modern solutions they necessitate, Cool It presents an unapologetic, practical approach towards global warming and the problems that eclipse it. It’s time we all listened. ScriptPhD.com continues our ongoing “It’s Not Easy Being Green” series with a review of this thought-provoking, conversation-starting film. After seeing a recent screening in Los Angeles, we are proud to give Cool It our blog’s rare highest honor—Editor’s Choice. Join the conversation now under the “continue reading” cut. Continue reading EDITOR’S CHOICE: It’s Not Easy Being Green: Cool It!→
Each of the brain’s 100 billion neurons has somewhere in the realm of 7,000 connections to other neurons, creating a tangled roadmap of about 700 trillion possible turns. But thinking of the brain as roads makes it sound very fixedyou know, pavement, and rebar, and steel girders and all. But the opposite is true: at work in our brains are never-sleeping teams of Fraggles and Doozers who rip apart the roads, build new ones, and are constantly at work retooling the brain’s intersections. This study of Fraggles and Doozers is the booming field of neuroplasticity: how the basic architecture of the brain changes over time. Scientist, neuro math geek, Science Channel personality and accomplished author Garth Sundem writes for ScriptPhD.com about the phenomenon of brain training and memory. Continue reading Guest Post: Is Brain Training Real?→
Day 3 was Star Wars Day at San Diego Comic-Con International and we have something shocking to report, ladies and gentlemen. We did not see a single light saber, not one! Since we almost incurred an unfortunate eye injury last year due to an overenthusiastic Jedi, this was most welcome relief. For ScriptPhD.com, today was all about science and technology. In a day that could not have been more tailor-made for our website, we enjoyed panels with the eminent sci-fi television writers of today discussing writing for genre TV (a must-read for any aspiring TV writers out there!), a visit from the greatest science fiction writer in the history of science fiction, Ray Bradbury, a preview of next season’s sci-fi show The Event, and a panel on how exactly shows like CSI “tech” out with gadgets galore. Oh, yes, did we mention we got to hang out privately with the MythBusters?? With the help of our intrepid reporter Bryy Miller, we bring you the most complete Comic-Con coverage on the web. Plus, our Costume of the Day, after the “continue reading” cut! Continue reading Comic-Con 2010: Day 3→
Greetings from sunny San Diego, everyone! ScriptPhD.com is in the absolute epicenter of sci-fi, comics and the illustrative arts: Comic-Con 2010. Armed with a press pass, our wonderful correspondent Brian Stempien of Lefty Films, and an industrial-sized vat of Purell, we are proud to bring you four-day coverage that spans the nexus of sci-fi, graphic arts, design, technology, film, television, and of course, the forum that started it all, comics. Day 1 coverage includes an array of panels covering the origins that drive an artist’s imagination, the future of cultural arts in a digital age, the future of space exploration with Iron Man’s Stark Industries as a model, good sci-fi, bad sci-fi, sci-fi that will change your life, and a conversation with two leading visionaries of the sci-fi genre, J.J. Abrams and Joss Whedon. ScriptPhD.com also got to chat with the stars and producers of our favorite forensics show, Dexter. Plus, we have a little secret teaser interview with a certain MythBusters star that we’ve been teasing for a good while now! As we always do at Comic-Con, we pick our Costume of the Day as part of our compete Day 1 coverage, under the “continue reading” cut. Continue reading Comic-Con 2010: Day 1→
Nothing has done more to reinvigorate discussions about energy and fuel dependence than the tragic oil spill currently afflicting the Gulf Coast [excellent resource for trajectory, timeline and news sources]. Though scientists and oil manufacturers continue to debate the validity of the “Peak Oil” theory, a very uncomfortable reality looms that oil production may not be able to keep up with thirsty demand. With an ever-increasing global population, a constant proliferation of technology choices and lifestyle improvements, and a rising middle class in third world countries, the factors contributing to fuel consumption may be the precipice of an eventual geopolitical crisis. In an effort to showcase their dedication to addressing the most salient energy and environmental questions affecting our generation, the Discovery Channel, backed by founder John Hendricks, is launching a revolutionary four-part documentary called Powering The Future. In it, they address a range of economics, national security, social and scientific questions related to energy and fuel all through the single focal point of searching for a modern, clean, limitless supply of energy. Our coverage of Powering the Future includes a review of the first installment and an exclusive podcast interview with the show’s host, lead scientist for the Nature Conservancy, Dr. M. Sanjayan. For full content, please click “continue reading.” Continue reading It’s Not Easy Being Green: Powering The Future→
ScriptPhD.com’s coverage of the World Science Festival in New York City continues towards the physics and mathematics realm. Day 3 events on Friday included an intimate discussion about astrophysics and the new James Webb Telescope, set to replace Hubble in June of 2014, a panel about hearing and visualizing gravity with Albert Einstein’s modern successors, and a panel about the very limits of our understanding of science—the line between what we do and don’t (or can’t) know—and its bridge to culture and art. Contributions to our coverage were done by New York City science writers Jessica Stuart and Emily Elert. Synopses and pictures of three extraordinary panels with the premier scientists of our time under the “continue reading” cut.
About a week and a half ago, scientists achieved a remarkable evolutionary stepping stone in the technological holy grail of eventually engineering synthetic life. Nicknamed ‘Synthia’ by her experimental progenitors, the latest discovery is a viable, self-propagating yeast cell hosting a bacterial Mycoplasma mycoides genome (consisting of non-biological DNA) purely composed in the laboratory. In eerily apt timing, Splice, a new science fiction thriller premiering this week, explores the scientific ramifications and bioethical morass encompassing the creation of a human-animal hybrid by a rogue superstar genetics couple. Under the “continue reading” cut, ScriptPhD.com’s review of Splice, discussion of the expanding frontiers of genetic engineering, and a special video interview with the director/writer, producer and stars of the film.